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Art for Workplaces

For boardrooms, receptions and offices

Art that says who you are before the meeting starts

The work in a reception or a boardroom is the first thing a visitor reads about a company. Wildgraphy photographs are studies in composure and authority: wild animals on their own ground, never staged. Each enters your premises as a numbered edition with a Certificate of Authenticity, an asset with provenance.

Start a conversationSee the works
  • Proposal in two business days
  • GST invoice
  • Signed certificate
Eye to Eye with the Phantom, a leopard in Rajaji at close range, framed fine art photographEye to Eye with the Phantom · Edition of 5
Two daysto a written proposal
20 at mostprints in any edition
GST invoicewith every work
10 to 12working days to dispatch

By space

Where the works go

A starting point. We refine it with your architect or designer.

Space Suggested scale Approach
Reception A0 to 2A0 One work that a visitor reads before anyone greets them.
Boardroom A1 to A0 A study in composure at the head of the table.
Executive offices A2 to A1 A single work chosen with the person who sits there.
Corridors and meeting rooms A3 to A2 A series from one reserve or one subject.

See it at scale

Choose a size, see it on the wall

From a meeting room to a reception wall.

To scale: a 2 m sofa on a 3.2 m wall

A3

42 × 29.7 cm

Inches
16.5 × 11.7 in
Framed weight
3 kg
Glazing
TrueVue museum glass
Best for
A desk, shelf or small gallery wall, or a first piece

A2

59.4 × 42 cm

Inches
23.4 × 16.5 in
Framed weight
6 kg
Glazing
TrueVue museum glass
Best for
A hallway, bedroom or study wall

A1

84.1 × 59.4 cm

Inches
33.1 × 23.4 in
Framed weight
8 kg
Glazing
Acrylic
Best for
Above a sofa or bed in an average room

A0

118.9 × 84.1 cm

Inches
46.8 × 33.1 in
Framed weight
12 kg
Glazing
Acrylic
Best for
A main wall in a large living room or lobby

2A0

168.2 × 118.9 cm

Inches
66.2 × 46.8 in
Framed weight
15 kg
Glazing
Acrylic
Best for
A statement wall, double-height space or office reception

A simple rule: choose a print about two-thirds the width of the furniture beneath it.

Print sizes are shown; framing adds a few centimetres. Not every work is offered in every size. Full size guide

The object

Specification

Everything your architect or designer needs to specify the work.

Paper Hahnemühle Photo Rag, 308 gsm, on most works, and Hahnemühle Baryta, 315 to 325 gsm, on some. Acid-free, lignin-free and pH-neutral.
Inks Archival pigment inks, made to resist fading for 100 years or more under proper display conditions.
Frame Hand-finished, in solid natural wood on most works, with mitred corners, reinforced joints and hanging hardware fitted. Each work's page states its frame.
Glazing TrueVue museum glass on smaller sizes, which cuts reflection and glare. Acrylic on larger sizes, which is lighter and does not shatter.
Backing Archival backing board that keeps the print flat and buffers moisture.
Certificate Signed and hand-numbered. It records the title, edition category, edition number, total edition size, location of capture, print specifications and paper.
Edition One fixed edition per photograph, never more than 20 prints across all sizes. A sold-out edition is not reopened or reissued at another size.
Sizes A3 (42 × 29.7 cm) to 2A0 (168.2 × 118.9 cm). Framed weight 3 to 15 kg.
Made in Printed and framed to order in Pune. A standard work is dispatched in 10 to 12 working days; custom sizes and finishes in 25 to 30.

More on materials and craftsmanship

Process

From brief to installation

Tell us about the space

The rooms, the number of walls and the message.

Proposal

A considered selection, within two business days.

Specification

Sizes, framed weights, papers and glazing for your architect.

Made to order

Standard works in 10 to 12 working days; custom in 25 to 30.

Delivered

Insured, with a GST invoice and a numbered certificate.

Our commitments

What we promise, every time

Each photograph is made by Pankaj K. Singh, who has spent two decades in India's reserves.

Genuinely wild

Every subject is a free, wild animal in a national park or protected reserve. Never captive, never staged, never baited.

The moment that happened

Editing is limited to colour, exposure and print calibration. No composites, no fabricated elements, no AI imagery.

Honest scarcity

Edition numbers are fixed and tracked. A sold-out edition is retired for good.

Named places

Every work names where it was made: Bandhavgarh, Corbett, Kanha, Rajaji, Panna, Pench and beyond.

Read our commitments in full, or meet the photographer in the biography.

The edition

Rarity you can verify

Each photograph is released in a single fixed edition of 20 prints at most; many are limited to 10, 5 or a single print. One count covers every size.

Your print carries its own number. 7/10 means the seventh print of ten, and that number is recorded permanently. We do not reopen sold-out editions or create duplicate numbers.

As an edition is collected, the work moves through five pricing levels. Early collectors are rewarded, and later prints reflect their scarcity.

Editions and pricing levels

Pricing levels

Issue90% or more of the edition remains
BronzeLess than 90% remains
SilverLess than 66% remains
GoldLess than 33% remains
PlatinumLess than 10% remains

Questions

Before you decide

How do you choose works for an office?

We propose works for the reception, boardroom and executive floors to suit the architecture and the message you want the space to carry.

What will our architect or designer receive?

Sizes, framed weights, papers and glazing for every work proposed.

How long does an order take?

Standard works are dispatched in 10 to 12 working days; custom sizes and finishes take 25 to 30.

What paperwork comes with each work?

A GST invoice and a signed, numbered Certificate of Authenticity.

What does limited edition mean at Wildgraphy?

Each photograph is released in one fixed edition of 20 prints at most, and one count covers every size. Your print is individually numbered, and a sold-out edition is retired for good.

Are the animals really wild?

Yes. Every subject is a free, wild animal in a national park or protected reserve. Nothing is captive, staged or baited, and no image is a composite or AI-generated.

Will the print fade?

Each work is printed with archival pigment inks on Hahnemühle fine art paper, made to resist fading for 100 years or more under proper display conditions. Keep it out of direct sunlight.

Can I see a print before I decide?

Yes. Viewings are by appointment in Pune. Write to us on WhatsApp or by email and we will arrange a time.

Let us help you plan it

Start a conversation

Tell us about the space and the number of walls, and we will reply with a proposal within two business days.

Send us your brief

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